ABOUT

I am a lighting designer based in Brooklyn. My work has been presented in New York City, regionally across the U.S, and now in the U.K.

I often joke that it may be more accurate to call me a ‘darkness designer.’ My contributions bloom from design dramaturgy, space, and surprise. I especially enjoy developing new works and reigniting classics. I hope my designs activate elemental layers in stories, heightening our listening and empathy. I’m fascinated by the uncanny and delight in time as a medium. I like to challenge our definitions of spectacle by celebrating vivid design that charges us with feeling and curiosity first before striving to please the camera. Often the camera cannot capture my work. I prioritize kindness and fun in every process.

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I’m honored to have worked on many celebrated productions over the past 15 years, clarifying long creative relationships and sparking new ones. This includes various world premieres with playwright Will Arbery. The design of Heroes of the Fourth Turning (2019) was recognized with multiple New York awards, where some reviews called the design “rich with portent and glinting significance” and “wonderfully dark… [where] the light only makes the shadows thicken… naturalism that’s also something more.” In 2022, a surprise joint review of Arbery’s Corsicana, and Brian Watkin’s Epiphany, focused directly on the impact of the design, remarking, “Byrd’s lighting exerting a strong but delicate harmonic influence, like that of the double-bass in an orchestra, made the pieces cohere for me, forming a suite on the themes of the terror of love and the agonies of belief.”

In 2021, I made my West End debut designing a new, in-the-round revival of the classic musical CABARET, which garnered an Olivier nomination! In 2024 I will be making my Broadway debuts with CABARET and a new An Enemy of the People.

I am a member of USA-829 and support union labor and freelancer rights. In the industry pause created by the pandemic, I could dedicate more time toward food justice, arts activism in pay equity, and anti-racist listening spaces.

Click over to the news / press page for upcoming projects, highlights, and links to features that begin to discuss my design thinking. I would love to expand my creative collaborations beyond the theatrical bubble. Don’t hesitate, say hello!

 


values

I strive for creative bravery and want to make alongside those who work to learn, listen, and create with compassion. This way of working can scratch both my art and technical brains while expanding that muscle in the center of my chest. Can we collaborate and care for our moral imagination? How can the liveness of performance space inspire greater change?

I wish I could say the theatre is always a rewarding place to be a freelance artist in America, but there are many caveats.  I know we must evolve: reorganize, reinvent, and un/learn to re/build systems that offer respect, equity, and artistic license to our artists and laborers. My citizenship, body, and artistry are tethered, and I am constantly working to support more intentional spaces within all of my collaborations. For me, this ethos is deeply tied to practicing antiracism, sustainability, and very importantly, kindness.


PREVIOUSLY…

♦ From 2020 to 2021, Isabella served on the Board of Directors at the Greene Hill Food Co-Op.

♦ Isabella was a contributor and producer at Chance Magazine.  Aside from curating content for print, she was invited to lead a symposium and seminar at the 2015 Prague Quadrennial, exploring the fertile encounter of photography, theatrical design, and thought artifacts.

♦ Isabella spent many years volunteering, administratively, for 13Playwrights. That work accumulated into the role of Creative Producer for their archival website www.13p.org. In 2012, the Obie Award-winning downtown collective completed their producing mission and 'imploded' into the interactive digital time capsule.